This post isn't a showcase of interesting buildings or neighborhoods, but an attempt to clarify a small linguistic error that often distorts our view of housing. The word "unit" has become the standard moniker for dwellings in any "big picture" conversation. Unit is an unfortunate and sterile word for the place that people make their lives, but the term has other flaws apart from its lack of intimacy. The word unit has multiple meanings in our language, the most common of which is a consistent quantity of something; as in a unit of measurement. When we talk about housing though we use the word under one of its other definitions, not to mean a specific quantity, but to describe a distinct, individual part. This is an important distinction because a unit of housing is not a quantity of housing. Read that one more time: A unit of housing is not a quantity of housing. A hundred five bedroom houses are not the equivalent of a hundred studio apartments. They are not the same in either the size or in the number of people they are likely to house.
This distinction is obvious when you think about it, but in the flurry of housing statistics that are thrown about it's often lost. Units of housing are easily measured, while considering bedrooms and size to come up with some more accurate estimate of quantity is difficult. But using units as a stand-in for quantity can lead to dramatic distortions. To illustrate the point, Manhattan has far more housing units today than it did in 1900, whole districts full of high-rises have been built, but the residential population is roughly equal. This is largely the consequence of moving from large households of many children, often with extended family members and boarders to small households with disproportionately low numbers of children. On a per person basis, the large households of 1900 were simply a more space efficient living arrangement.
Confusing units for quantity makes small units look like an attractive solution to a housing crisis (on paper) but making units smaller does not necessarily mean housing more people in less space. Sometimes the opposite is true. A family of four could live comfortably in a 1200 sf apartment, but a 300 sf studio pushes the boundaries of human comfort. (Though it is certainly achievable) And consider that in crowded cities, renting a room in a larger house or apartment is generally cheaper than renting a small apartment. There are multiple variables at work here, but most significant is that it simply takes up less space.
Household size is inter-related to the average unit size available in the housing stock. It is not a one-way relationship, but a dynamic one. Where I live in Portland, group houses of 20 and 30 something professionals are common as the city's average unit size is rather large while it has a disproportionate number of young, childless residents. In a context of smaller units many of those group house residents would be inclined to find their own apartment. Similarly where unit sizes are relatively large families are likely to take in relatives or boarders while smaller units will likely see more strictly nuclear families. We don't get to rebuild the city from the ground up every generation, one way or another the people make a way to square their preferences with the stock of housing they inherit. All of this is to say that when we talk about a shortage of housing we need to make some sophisticated judgements about housing quantity rather than just resorting to the simple but flawed method of counting units.
Sunday, August 28, 2016
Monday, August 17, 2015
Can Mid-Rise Buildings be Family Friendly?
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The Modera Belmont, planned for inner east Portland is typical of new multi-family housing in the city. It contains 202 units, mostly 1 bed rooms and studios. Attribution: SERA Architects |
Mid-rise, 5-over-1
buildings have become the dominant form of infill development in Portland and
in many cities in the US. It’s a
building type that offers urban-scaled housing on a much lower budget than a
concrete high-rise. Very few of these
buildings, however, are amenable to families.
In Portland, most newly constructed units are Studios or 1 bed rooms in
the 500 square foot range. While that
reflects an influx of young, post-college professionals, the actual residents of
these buildings include more families than you might expect, and at some point
many more of those professionals are going have children. The supply of single-family houses in most of
the city is essentially capped by the lack of developable lots, so if the city
is going to retain the new residents that have fueled Portland's renaissance we
should be thinking about how we can create infill housing that supports
multiple stages of life. Mid-rise
construction affords density and urban amenities, but in order to make it an
attractive proposition for families we may need to rethink the prototype.
So what would a mid-rise building look like if
we truly designed it with families in mind?
Developers, thus far, have not had a lot of interest in this question,
but one place it has been considered is in subsidized housing.
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Nihonmachi Terrace, Northwest view (left) fourth floor plan (right). Attribution: Pyatok Architecture + Urban Design |
An interesting case
study comes from Michael Pyatok, who has been at the forefront of affordable
housing in the Bay Area for a generation.
I studied under Mike in grad school and, between his socialist rants,
learned a tremendous amount about housing design. I’ve never met anyone who has
such a firm grasp of the minutia of kitchen layouts and the exact closet space
desired by different cultural groups. His approach to design involves a level
of community participation that most architects would cringe at. Beyond soliciting the residents’
advice on massing and preferred unit layouts, he also invites them to pick the
style and suggest design elements. It
leads to a more colloquial aesthetic than most architects would appreciate, but
it also leads to buildings uniquely fitted to a community. If you want to design a family oriented
building then working directly with the families that will occupy it is a very precise kind of market research. Over
time Pyatok’s firm has developed a variation on the ubiquitous 5-over-1
building that has become a template for their family oriented housing.
Nihonmachi Terrace in
the International District of Seattle is typical of Pyatok’s work. Most units in this project
are two-story maisonettes, not flats. Bedrooms are accommodated in an efficient
upper floor plan while the entry level is an open living space. According to Pyatok this plan is popular
because it is considered the equivalent of a house. It also allows every unit to have a living space with two exposures, limiting the bowling alley feel of many modern apartments. However, this unit type also has a second
advantage: it allows for a gallery access building without the persistent
privacy concerns associated with a motel 6.
Bedroom windows are up out of the view of passers by while the kitchen forms a connection to the gallery. Wrapping the building around a courtyard gives the gallery a sense of dignity and purpose that you won't find in a motel. Pyatok laments the lack of landscaping budget, but even in its somewhat spartan form the courtyard provides a place at the center of the building that can be programmed or used as recreational space. Since every unit connects to the courtyard directly, parents feel free to let their children use it as a play space. A
community room also opens onto the courtyard, reinforcing its role as the central
recreational amenity.
Other buildings in
Payatok’s portfolio are variations on the single-loaded courtyard type. The Divine Legacy in Phoenix is an
elongated version with more intensively developed landscaping. Here the courtyard provides sheltered play
space in a climate that is often too hot for outdoor activities. Flats are mixed with maisonette units to provide housing for a variety of lifestyles.
The Fox Court
Apartments in Oakland are another variation still. This plan divides the block into two courts, which Pyatok
insists is necessary to prevent large groups of children from assembling and
causing chaos. The form resembles many
late nineteenth century blocks in Europe, which contain several courtyards shared among multiple buildings. In the European prototype blocks are often assembled by combining several single stair buildings with independent entrances. Since these blocks contain a series of stair cores rather than corridors they can achieve through units that look out onto both the street and the courtyard. American building codes require elevators and duplicate stairs the single-loaded, thus gallery access buildings are the only economical way to create through units. In many European cities, 19th century perimeter blocks are a staple of middle class family housing. Paris, Vienna, Berlin, Barcelona and a host of other cities that grew in the early industrial era are rife with examples. Almost without exception these blocks contain a much higher concentration of families than can be found in most American cities.
Pyatok's buildings are not the kind of high design that gets a lot of architects excited, but sexy modern design is skin deep. It is fun to imagine what some of these buildings would look like with lux finishes and beautifully constructed courtyards. (See my last post for more on that) And the single-loaded courtyard building is certainly not the only building type capable of housing families in cities. But this type is worth studying because from a construction point of view these buildings are a minor adjustment to an established formula. They are still 6 stories tall with wood framing over a concrete deck. From a development or finance point of view any new prototype requires a leap of faith. Subsidized housing allows more flexibility to experiment with new prototypes that are not yet proven in the marketplace. Developers, and more importantly their financial backers, want to build tomorrow what sold yesterday. But those developers and bankers ought to be paying more attention to affordable housing if they want avoid the historic problem of doing market research by looking in the rear-view mirror. After all, the future is not always like the recent past. The millennial generation is heading towards prime child bearing years and a lot of them really hate the suburbs. For cities its a housing challenge in the making and its not the kind of change we can adapt to overnight. The development world and city planners need to start thinking about this issue now. Some cities, notably Seattle and Toronto, have mandated a certain quota of family size units in new apartment buildings. Its a good start, but ultimately creating housing en mass that works for a more diverse demographic requires both thoughtful city policy and prototypes with proven success in the market.
Tuesday, September 3, 2013
A Look at Shared Courtyards
As housing becomes denser,
providing meaningful outdoor space becomes increasingly difficult. Shared courtyards present a chance to create
a valuable amenity with an economy of space.
The word “amenity” is important because it is development-speak for
something that sells real estate. The
neighborhood swimming pool is an amenity, as is the golf course or the country
club or the guarded entry gate. These
are high cost items that add substantial value to the real estate. In an urban situation the space for amenities
is extremely limited so there is an incentive to make more out of every square
foot. Courtyard’s can be a strategy for
getting light and air to apartments, but they can also be important amenities
that enhance quality of life. They can
provide play space for children where private yards are not an option, they can
be a place to hold community events, a contemplative place to get away from
family or roommates, a stunning view from ones apartment, and a place to cool
down on a hot summer day.
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A Beautifully remodeled courtyard in New Orleans, a city with a long tradition of urban courtyards. Who wouldn't want to live here? |
I have been keeping a folder on my desktop for a
few years, where I collect images of these types of spaces. I am sharing a few of my favorites here. The most successful examples are not only visually stunning, but are highly tuned to strike a balance between usable shared space and privacy for the surrounding units.
There is a similar balance of formality and informality as well as
functionality and aesthetics. When
done right, courtyards are an amenity you can take to the bank. A courtyard can be to a courtyard apartment
building what a golf course is to a golf course community. But with one critical difference, the golf course is an
added extra, while courtyard usually something we have to build anyway.
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An everyday example |
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Another one from New Orleans |
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An informal courtyard in Spain. Here the ground floor units have porches that act as a buffer between shared space and private space. |
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The courtyard leaves something to be desired, but the porches are great. |
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A similar theme here, all pavement yet filled with green. a |
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I have struggled to find good contemporary examples, but this one by Mithun is quite successful. More pavement might have made this space more usable. |
Wednesday, August 28, 2013
The Efficiency of Disorder ... An Interesting Case Study.
Chuck Mahron, who writes the Strong Towns blog has pointed out that efficiency and order are two very different concepts that are often confused. He uses the traffic intersection as an example. Streetlights, crosswalks, and clearly defined travel lanes all make the intersection orderly, but they don't necessarily mean anything about efficiency. Sometimes the disorderly intersection, the one that forces people to slow down and rely on judgements and instinct can be more efficient. Here is an interesting case study from the UK. If you haven't seen it this video is worth watching.
Monday, August 26, 2013
Vernacular Housing in Montreal ..The Three-Decker
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Close up view of stairs, landings, and balconies, the vernacular language of
the city.
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Recently I went on a short trip to Montreal. It is a beautiful city, and one of its charms is this type of vernacular housing. It is a type of three-decker (stacked flats) that feels a lot like a row house. My girlfriend and I decided to forego the hotel experience and try AirBNB. We got a room in one of these three-deckers in the Mile End neighborhood with a balcony overlooking the street. Montreal is a low-rise city and even from the third floor we could see several miles to the church towers of the old town. It was a wonderful experience. I have never been on a trip where I spent a lot of time in the hotel room, but when your room is on a vibrant residential street and has a balcony with a view of the city, it changes the equation. We enjoyed several bottles of wine and a few meals on the balcony watching life go by. We watched the downtown fireworks on Candada Day, and watched commuters bike past over breakfast.
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Street view showing our room and balcony.
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Mile
End, along with many of the city’s inner neighborhoods, is made up almost entirely
of three-deckers. The neighborhood was
developed extensively in the late nineteenth and early twentieth century as a
very dense streetcar suburb. Streets in
this area of the city are strikingly regular with buildings built relentlessly
to a setback line. Cornice lines are set
within a tolerance of a few feet and facades are flat. Rarely is a street lined
with trees. There is a no-nonsense quality to this area of the city that is
partly a product of the need to create affordable working-class housing and
partly a reflection of the city’s French heritage. Much like New Orleans, Montreal is more
embracing of European style urbanity than its Anglo counterparts. Having come to Montreal after spending several
days in Toronto, this was especially apparent. By comparison, Toronto’s classic row houses
with their bay windows and elaborate gables seem a little silly, as if they are
gyrating in place in an attempt to imitate a more suburban dwelling.
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Three-deckers showing a cut-in stair landing
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A typical three-decker with external stairs and balconies
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Staying in a three-decker gave me an inside look at how these buildings work. In many respects these apartments are more like a house than what most Americans are used to. Units have an independent entrance, light on several sides of the building, a generous amount of porch space and a small yard shared by the three apartments. The anatomy of this type consists of three stacked flats, in an L-shaped arrangement that allows light and air into every room. Each unit has a small balcony in the front and a larger rear porch that is set in the crux of the L. The most interesting aspect of this type is the system of vertical circulation. The ground floor apartment is accessed directly from a small stoop while an external stair leads to the second floor apartment and a door to an internal stair that connects to the third floor unit. Each apartment has private outdoor space in the front of the building and in the summer time these spaces are used extensively. On the ground floor this comes in the form of a terrace that occupies the six to eight foot setback while the second and third floor have a shallow balcony opening off the living room. This arrangement affords an independent, street-facing entrance to each unit, and generates a unique aesthetic of steel balconies, landings and stairs set against masonry facades. On more prestigious streets these elements are an elaborate display of craftwork.
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A contemporary row of three-deckers. Some of the minor details have
changed, but the type remains the same.
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Montreal’s neighborhoods have continued to develop without fundamentally altering the three-decker type. The modern examples I noticed have larger windows and presumably a more open floor plan, but in most other respects are no different from their predecessors. Probably the main reason this type has persisted is that it is cheap to build and uses expensive urban land effectively (nearly twice the density of equivalently sized row houses). Small buildings are often easier to accomplish where large streams of capital are not available. A builder can put up a three-decker without incurring a lot of debt then sell it and repeat the process on the next lot. But as economical as these buildings are, they also add up to dense, attractive neighborhoods with a very unassuming scale.
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Three-deckers create an attractive streetscape and transition seamlessly
with small commercial buildings.
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Sunday, August 25, 2013
About Me
I am an emerging professional in the field of
architecture. I received my Masters from the University of Oregon in
2013 and have been in the profession since. In my past lives I have been an artist, carpenter, furniture
maker and avid observer of cities and architecture. Most recently my
interests have centered on urbanism and new forms of urban
housing.
About this Blog
This blog is a place to discuss observations on architecture
and urbanism. Blogs have played a
significant role of advancing the conversation on urbanism in the last several
years and I hope to further that conversation here. Architecture and urbanism are two sides of
the same coin, and this blog will be a place to straddle those two worlds.
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